Monday, November 29, 2010

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Addio, Maestro


Mario Monicelli, 1915-2010

Febuary 15 18th Birthday

the lads are fine (2010)

The boys are doing well is a film by Lisa Cholodenko of 2010, with Mia Wasikowska, Julianne Moore, Mark Ruffalo , Josh Hutcherson, Annette Bening , Yaya DaCosta , Rebecca Lawrence, Kunal Sharma, Amy Grabow, Eddie Hassell . Manufactured in USA. Length: 104 minutes. Distributed in Italy by Lucky Red.

Two teenage brothers who live with their mothers gay go in search of their biological father and introduce it into the household. His arrival upset the balance forever changing the course of events

The strength of being together every couple of wins on the difficulties, but if this pair is composed of a liberated lesbian duo and a little 'hippie the outcome will surely be the most curious and also fun. It's the idea behind "The Kid Are All Right" that certainly would not have been the same without the two tests under the evergreen Julianne Moore and Annette Bening. Yes, because in the end the film by Lisa Cholodenko is an exercise directed chiefly based on the use of actors who seek to avoid the path of banalità.Il theme still enough to keep alive even the most trivial of stories and beyond The surroundings of betrayal, gardens to care for, found his father, "The Kid Are All Right" is a worthy example of American independent cinema with all the pros and unfortunately with all the cons: no need to make a list but no time to lose analyze what is wrong with the film, it would be better to focus on the message that the story fails to launch, even if only half, with some forcing. The bottom line is that the pairs of every shape, color, type, etc., they face daily in an endless series of problems and concerns: it is not because Nic and Jules are lesbians who have the triple problems of a heterosexual couple, or perhaps it's the opposite, their (sometimes very bad ) habit to always put everything in plain text, exposing feelings so clear, it is certainly a clever way to avoid the dark corners and dark situation is not as simple as raising two children in a family environment is not common. It is a code that every family is created, the problem is not the amount of the problems but how you deal with them. And what happens if a foreign element (the parent-tube a little 'playboy a bit' dumb children of the couple lead role) insinuates that balance has always felt solid cracking? The effects are disastrous, it would be for each pair, even the strongest and most durable in the world. So how should we react? What to do? What to do? The point is not to lose the high road of the strength of mutual trust, which is also made of mistakes repaired, then clarified lies, betrayals forgiven. In short, what "The Kid Are All Right," says family is a model of universalization, which has the same characteristics of a common family: and in the end what is really common and what is not? The "strange" or in any family there are the unusual and the ability to create a birth the need to feel connected, a need that has no gender, age, religion, sexual orientation. The family is this need to be together and share. The issues becoming relevant once found a way to overcome them. Nic and Jules they succeed? Maybe you but not for the extraordinary nature of their relationship but because they are willing to forgive and move forward as worthy of the name of every family should do.





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Saturday, November 20, 2010

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The Social Network (2010)

Directed by David Fincher . By Jesse Eisenberg , Andrew Garfield, Justin Timberlake , Armie Hammer, Max Minghella .

Mark Zuckerberg, the boy who would become the youngest billionaire in history, creating the world's most widely used social network in 2004 was a brilliant student at Harvard, but with few social skills.


In a world in which we have little time, that is dedicated to listening to the neighbor is now close to zero. "The Social Network", fictionalized story of the birth of the most popular site on the web, says first and foremost a human story and the last stage of our evolution as a man has found a way to express themselves through what they do not sees. Millions of people are protected from escaping reality in a few twitter or facebook or myspace profile and somehow manage to be loyal to themselves than they ever would in real life the giorni.Mark Zuckerberg, a brilliant Harvard student more than a superb computer programmer, has been and is still an excellent observer of the social dynamics of the boys his age who is not too difficult to be applied to the world intero.La desire to communicate is actually a basic need of human beings and the desire to search and find is what keeps standing the system of human relations.
Facebook, like other network services, it is actually this: a set of requirements that encoded link to multimedia programs that facilitate the relationships and self-expression stessi.Fin the early stages of work on "The Social Network", not many predicted a product of such importance, but it was easy to forecast as the subject matter would play a role in the success of the film. David Fincher is a director departs substantially from model to which he belongs and he seems trapped in this "network" of relationships that develop between the protagonists of the film. In fact, "The Social Network" has the advantage of not telling facebook but to interpret it as social and cultural phenomenon, revealing the most secret and fascinating elements and also show a much more formidable face, a sort of "contagion" of the need Contact ineffrenabile sincere human mind, even if physically distant.
Facebook.inc is a company with a turnover of 1 billion dollars a year. It is the sixth power of the press after the fourth and fifth television, is the dark power to manipulate minds and habits, and arises to change the course of the lives of those who are touched. Beyond anything you can think of, Facebook is a revolution of enormous importance, almost indescribable in detail because it is a revolution also in place that will not end very soon, few of us can see the end, if there ever will be. But what makes the movie work of Fincher's intriguing is the attention given to captured the social dynamics of the characters, conceived in a kind of still image, even if rapid, easily approachable to all those who have been attacked by the facebook craze, but even more deeply by modernity.
"The Social Network" is an exploration, a journey of the characters is uncertain, unclear contours, but with the awareness that beyond the desktop there is someone who listens, trying to understand you, in this world where everyone going in a hurry, just find the time in front of a computer screen. Many might think of it as a degenerative phenomenon, but if 500 million people have adhered to this philosophy is difficult to consider it just a bluff a boy genius bored with college life.
Published Loudvision.it http://lv11.it/dvxbb

Saturday, November 6, 2010

Welcome Bags Thank-you Notes

Rabbit Hole (2010) The Last

Directed by John Cameron Mitchell . With Nicole Kidman , Aaron Eckhart, Sandra Oh , Dianne Wiest , Jon Tenney, Tammy Blanchard, Giancarlo Esposito , duration 90 min. - USA 2010.

"Rabbit Hole" traces the fine line between despair and hope, is the encounter between death and life, the communion between joy and sadness. It is not easy to put together emotions and moods so different, but the delicate and fair director John Cameron Mitchell arrives at the finish line and reaches all intents promised. Without trapping the feelings compartmentalized, Cameron-Mitchell in his hands a model as simple as powerful a story of a broken family trying to rebuild, starting from simple things everyday. An everyday life that Becca and Howie Corbett for hard work and pain, but with the desire to share their pain even with the times and ways they will find the strength to face. "Rabbit Hole" begins, perhaps at the time of its conclusion, that final open that suggests the opposite of everything, Becca and Howie are thrown into the rabbit hole, hoping to to achieve the happiness that would exist in one of the many parallel universes in which Jason, sensitive young student who has invested their son, because he totally believes meets every day a reality that seems too big and too overwhelming. "Rabbit Hole" is a hymn to life exorcising death, an ending that will not look back, but maybe most of the death of a child, "Rabbit Hole" is about a loss of something that is so loved and will never return and emptiness that the loss and leaves the dilemma of how to fill it. An immense pain that does not disappear but that is changing, the only problem is how to know and understand how affrontare.Un 'esisetenza cut that in two tries to reunite herself with the knowledge that the future can never be more than one project but that will be built step by step with a "then" infinite resignation will not have peace but only a load to carry in pocket vita.Si will accompany the path of suffering, and we laugh, we cry and we are moved as if the sensations were also affected by our protagonists, because everyone has suffered a loss in some way and "Rabbit Hole" does not offer a solution but a way to survive in the least difficult as possible but without remedies promise false and hypocritical scappatoie.Il vacuum and the weight that it carries within it the people we loved and who have been away forever but more generally of all that we thought was gone forever and instead of tutto.John Cameron Mitchell and feel involved and noted the delicacy and discretion to leave the story in its natural evolution without forcing useless and trivial games dramatization . Will certainly not be his most disturbing film, and is certainly not an innovative film of its kind, but the sensitivity to observe but never intrusive characters and situations makes his directing a good lesson in great American indie cinema that no-frills unnecessary and without exaggeration withdrew with a simple family who is trapped in a limbo in which, despite its flaws it feels as ever closer. The camera glides gently on the faces of the characters, is always consistent with the circumstances and if by "Shortbus" was done from this point of view, a good job here if you can go beyond himself, with the difference being that while Far less is more emotion-related but at the same time posted so polished as not to compromise the result to excessive coinvolgimento.Ma John Cameron Mitchell did not do everything alone, the credit goes to the excellent screenplay by Lindsay-Abair that cleverly adapts the drama and its changes due to the intent and necessary Rimage faithfully iniziali.Il cast, there's little to say, is excellent. A team of actors in a state of grace, in its comfortable with a subject so difficult, from an amazing cappeggiato Nicole Kidman not miss a tone, a glance, a gesture, explores all possible levels and the wide range of emotions related to his character. Vince twice: as an actress and as a producer, this film is 80% his work. Harsh but torn, you may even feel almost touch the silent anger and despair that is brought in, it is never too much and enjoy moments of pure recitazione.Aaron Eckhart follows, with nothing to envy, manages to be sensitive and specific at the same time, with honesty and conviction interprets the pain of a father trapped in their passato.Miles Teller is a youngster, you hear a lot more about him because hopefully seeing him in the role of Jason, Danny accidentally murderess, brings a lump in my throat. Howie, Becca and Jason, three lost souls are faced with a situation much larger than them but that will have to overcome together without blame, accuse, but without sharing what they carry inside. Each of them can survive as they can not and should not be alone. "Rabbit Hole" also teaches that, as others are important for survival of life itself, and above all share what we have in the heart helps to make "the then "of life more easily acceptable and easier to digerire.Un film that hits the soul and heart, but perhaps easier to potente.Esattamente this much like life.