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What are the differences between you and us? Finally

We end the year by taking a great little lesson in personal evangelism by the Lord Jesus, in his conversation with a Samaritan woman. It is a well-known episode and I will not dwell on all the details. There is much to write about.

Jesus is tired and stops near a well, while his disciples to go into a village to buy food. I am in Samaria, an area where the Jews were not appreciated.

A woman comes hot. Bring a pitcher to draw water. She's a little BenVista in his village because he has an immoral life. She had five husbands and now lives. If he lived today, would probably find a prominent place in a gossip magazine and would be absolutely à la page. So the views were different, even if the gossip is probably not lacking in his favor.

The Lord Jesus begins a conversation by asking and talking about drinking water would take away all the wonderful spiritual thirst. She is surprised and asks him. Jesus said

point-blank: "Go call your husband."

She confesses her state, and when he realizes that the speech goes on and gets deeply religious and serious, tries to divert the conversation.

In this, things have not changed. Today when we witness to our faith in the Word of God and in Jesus as the only Saviour, the classic question that comes to us is: "What are the differences between you and us?". If you throw in religion, you go on a neutral ground. Your ideas as my digging!

Accurate: the Samaritan woman asks: "But you have to worship in Jerusalem or here on our mountain?". What are the differences?

Jesus explains a lot gently that things were changing: there would no longer be a need to worship in the temple in masonry, but the true worshipers would worship in Spirit (that is, by the power of the Holy Spirit) and the truth of the Word of God and the new fact that the Messiah would be established. Then he said very clearly that the Messiah had him

The Samaritan woman, at that point, all spring, Secchia, well, conversation and runs to the village to tell who had met the Messiah. She was transformed!

So: where is the lesson of Jesus' personal evangelism?

in two main points. Jesus spoke clearly to the woman, though very gently, of his sin. If you do not have the courage to tell people who are hopeless sinners, not worth speaking to them of salvation. If you do not realize they are lost and on the road to hell, from what you would wish to be saved?

Then, the second point, Jesus is not bogged down in discussions on the various temples, sacrifices, the Jewish traditions and the Samaritans (now is not that much to talk about the Pope, saints and Madonnas, which give very little importance), but presented himself as the Messiah, the liberator and savior.

about him and we highlight what he said and did. Let's say that was and is God who became incarnate, was born in Bethlehem, he did not commit Sin, who died for our sins and rose again. If we do it with love and compassion, the Lord will use for the benefit of relatives and friends.

the way, is about to leave the new edition of "But tell me '... there are still differences between Catholics and Protestants? ". It is a book that I wrote years ago, easy and convenient. Explain the basic differences between the Bible and the official religion of our country, and any other religion. Ask me. It's cheap: only € 3.50.

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could look up

time ago in a street near our office, I saw a woman turn up the incredible, he was on the zebra crossing.

"Madam, can I help?" I asked.

"Thank you, I'm used to," she said. He continued, unable to see around him and oblivious to the dangers of traffic.

I did come to mind a woman named in the Gospel of Luke (13:10-17), sick for eighteen years, unable to bend and straighten.

Log, a Saturday, in the synagogue where Jesus was teaching. He knew that God wanted the Jews listen to God's law and she was faithful to attend this sacred place. It was hard going, but she wanted to do the right thing. He could see only the floor, but he could hear the Word of God (A good example for those who, though only has a small boubou avoid going to hear the Word of God and worship on Sundays! Too much trouble to move. So, you can also pray at home!).

sees Jesus among all people, calls it, puts his hands on her and tells her: "Woman, you are freed from your infirmity."

She immediately got up, and explodes in praise to God For eighteen years he was crippled and now his bones take their rightful place, the joints melt. How wonderful!

general was to be expected an explosion of praise from all sides. Instead only a portion of these welcomes.

I found religious objection to heal a person is a job and God does not want to work on Saturday. The Sabbath is holy! The head of the synagogue is furious: "There are six days to work: you come to heal them, and not on Saturday." Some people are master in using the Bible according to its comfortable. These men hated and envied Jesus and tried to hit him with the weapons of law, citing the Bible to hurt him.

Jesus curtly: "You hypocrites! Do not bring your ox to drink on Saturday, as the law allows? Tie and lead to water is probably not a job? And this woman, daughter of Abraham, that Jewish faith and conviction, which was bound by Satan for eighteen years with a disease deforming, could not be untied on the Sabbath? ".

No replies by the religious, just shame.

What is striking is that in a crowded synagogue, Jesus has identified that very needy woman, she must have known personally, and perhaps has even stopped his teaching important to care for her. He knew how long he was in that condition, he saw in his heart, he knew everything.

Do the same with me, with you and all human beings. Law within us, sees our weaknesses, faults and sins. He calls us individually, offers us his grace and intervenes as needed. "Come unto me all ye that labor and are heavy laden, and I will give you rest " says.

If all human beings began to pray together, listen and respond to each individual each. You have allowed Jesus to "straighten out"? You know who knows you thoroughly?
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humble and insistent

In his humanity, Jesus is tired. The people pressed on all sides during the day and he often spent the night praying and talking with his Father in heaven. Every so often, he wanted to retire and stay in peace with the disciples.

Once before he tried to do so and instead was found in front of a crowd of over ten thousand people, who wanted to listen and was ready to make him king. He had given

to eat at all. A nice kind of rest!

episode today, is in Syria, in the territory of Tyre and Sidon. It closes with the disciples in a house and wants to remain incognito. Impossible!

A pagan woman finds out. Her daughter is tormented by a demon and she runs to Jesus for help. Yells at him breathlessly. I want to chase away the disciples, in the knowledge that Jesus had told them that he came only to the lost sheep of Israel, but she does not go away.

They ask the Lord to make it stop. But she insists, he threw himself at the feet of the Master and continued his supplication.

Jesus not satisfied now, evidently wants to put test (not the only person that did it). The addresses of the words might seem harsh: "Let the children first be filled, because it is good to take the children's bread and throw it to dogs" (Mark 7:27). The children were Jews, the Gentiles were dogs. The woman could be offended, but the need is too great. So do not give up.

is true: it is not Jewish, it's just a heathen. It can not have any right, as they were those who belonged to the camp of God's people So it begs to be treated like a dog and at least enjoy the privileges of a dog. Dogs do not eat at the table with the owner, but are content the crumbs that fall on the floor. A bit of grace was enough.

Jesus exclaims: "Woman, great is thy faith: be done as you want. For this word, it should be ', the demon has left your daughter ".

The woman comes home. Her daughter is healed and peaceful sleep. We are like the

. As sinners we have no right to assert meritorious before God No work can make us acceptable to Him if it were not for his grace, we would all be without hope. Lost and condemned to hell.

But his grace is offered to all. Have you accepted?

You can read this story in Matthew 15:21-28 and Mark 7:24-30.
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healed and reassured

Jesus at Capernaum and the crowd seems to be pushed around. You just got back from Jerash, the other side of the Sea of \u200b\u200bGalilee, where he healed a man possessed indomitable.

He approaches one of the leaders of the synagogue and begged him to come to his house. Her daughter is sick and dying. Jesus sets out with him and with some disciples. The crowd followed him. The road is narrow and the crowd is almost incredibile.Non you know where to put your feet to walk.

Suddenly, Jesus stops.

"Who touched me?" She asks.

"Master, here you push on all sides ... How do to ask who touched you ... "

" No, I have heard that power has gone out of me! "

Silence. No one talks.

Finally a woman, trembling, approaches him and confesses everything.

She was sick for twelve years of a disease that made her unclean. It was a loss of blood, that no doctor was able to cure. She had spent all he had to heal, but it was worse than ever.

Then it was said: "If I just touch the hem of the dress of that rabbi of Nazareth, I will be healed." He took courage, he was confused in the crowd and barely touched the Lord, he immediately felt that his illness was gone.

Jesus said a reassuring word: "Daughter, your faith has healed you. Go in peace. "

not only his body was healed, but his soul was saved. Why did Jesus

forced her to a public confession? Not threatened to shame him in front of everyone?

Certainly not. It never did with those who approached him with humility and faith.

I believe rather that he wanted to reassure her even spiritually. His body was recovered, but he might get sick again. It was important to know that his soul was safe forever.

The health of the body is a good thing, but the spirit is the much more. So I wonder why in our prayer meetings at church people are talking about physical illness and so many cures and wonder we never hear of spiritual healing. Why not please them to stop gossip and slander, envy and discouragement? And that grant of pardon due for years and many end up suspects?

Do you agree? Let me know.

This story is found in Matthew 9:20-22, Luke 8:43-48.
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Welcome, or denied entry to strangers (1964)

Original Title: DOBRE POZHALOVAT, ILI POSTORONNIM VKHOD VOSPRESHCHYON
Director: Elem Klimov
Cast: Viktor Kosykh , Alexei Smirnov, Evgeny Evstigneev , Arina Aljeinikova , Ilya Rutberg Duration: 1:11 h Country: USSR 1964 Genre: Comedy

During a summer camp of the "Soviet Pioneers (organization for children aged 9 to 14 years), a lively boy is expelled, instead of coming home and deal with her grandmother, a devout admirer Khrushev, prefers to hide ...

Elem Klimov, before coming to the proclamation of his love for the absolute world of childhood in 'Go And See "tries his hand here for the first time in telling a story of revolt, however, children adults who should return for a moment to be children. If nothing else, at least to better enjoy the beauty of life and being able to live with more spontaneity.

Even children, beautiful in their simplicity, yet protected from the ugliness of the world through their imagination and their naturalness. Children are consistent with themselves, are true to their nature and are not afraid to show it. If there is one that is interference with the stupidity of adults who believe they must act only through education pedagogy coercive attitudes. And who better than the Soviet education has made this a real pride? So it is not so strange choice of Klimov tell the story of a colony-college which most likely also due to visit him during his childhood.

indulge in laughter or happy without a reason to make gestures that seem silly might be a good antidote to the evil of maturity. Children "Dobro Pozhalovat" could be images or characters or even the director's childhood characters of our childhood.

The beauty of "Pozhalovat Dobro" is not any 'propaganda it' complaint, just a lot of nostalgia for a world that resists fragile but thanks to the genuineness of the gestures and the unlimited ability to bend reality to know fantasy.
Klimov is in love with that world and recognizes its importance and to do this again becomes the child himself, joy and playfulness is gathered from the use of the camera is almost happy that it is almost impossible not to notice a hint of melancholy and bitterness. And then a closed world, made of the secrets of boundless imagination and reinforced in an indecipherable maze of complex emotions and feelings that are vented, however, in an extraordinary way in a candid and direct children. Yes, a world that is welcoming to everyone but which can also be very narrow and if you enter the wrong way sa quit almost hermetic becoming incomprehensible.

"Dobro Pozhalovat" fits well in the transformation post-Stalin Soviet film that almost accidentally becomes more amusing and amused when told to leave certain issues at least unofficially lose all those intentions that are not outdated propaganda outlet on anyone. Cinema becomes a more "Western" without losing its characteristic features. Klimov is a great exponent of change and it is interesting to analyze its evolution over time and has matured as a somewhat 'deeper and more introspective world. Most likely the child in him has become too big or too aware of the evil of the world, and here you get to Florya.

Whatever was on his way, the beginnings of Klimov a child in the adult body (adventurous a dentist should tell us something) and his fun loving film covered by a veil of nostalgia is like a beautiful memory to be held dear. A childhood memory.

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the lads are fine (2010)

The boys are doing well is a film by Lisa Cholodenko of 2010, with Mia Wasikowska, Julianne Moore, Mark Ruffalo , Josh Hutcherson, Annette Bening , Yaya DaCosta , Rebecca Lawrence, Kunal Sharma, Amy Grabow, Eddie Hassell . Manufactured in USA. Length: 104 minutes. Distributed in Italy by Lucky Red.

Two teenage brothers who live with their mothers gay go in search of their biological father and introduce it into the household. His arrival upset the balance forever changing the course of events

The strength of being together every couple of wins on the difficulties, but if this pair is composed of a liberated lesbian duo and a little 'hippie the outcome will surely be the most curious and also fun. It's the idea behind "The Kid Are All Right" that certainly would not have been the same without the two tests under the evergreen Julianne Moore and Annette Bening. Yes, because in the end the film by Lisa Cholodenko is an exercise directed chiefly based on the use of actors who seek to avoid the path of banalità.Il theme still enough to keep alive even the most trivial of stories and beyond The surroundings of betrayal, gardens to care for, found his father, "The Kid Are All Right" is a worthy example of American independent cinema with all the pros and unfortunately with all the cons: no need to make a list but no time to lose analyze what is wrong with the film, it would be better to focus on the message that the story fails to launch, even if only half, with some forcing. The bottom line is that the pairs of every shape, color, type, etc., they face daily in an endless series of problems and concerns: it is not because Nic and Jules are lesbians who have the triple problems of a heterosexual couple, or perhaps it's the opposite, their (sometimes very bad ) habit to always put everything in plain text, exposing feelings so clear, it is certainly a clever way to avoid the dark corners and dark situation is not as simple as raising two children in a family environment is not common. It is a code that every family is created, the problem is not the amount of the problems but how you deal with them. And what happens if a foreign element (the parent-tube a little 'playboy a bit' dumb children of the couple lead role) insinuates that balance has always felt solid cracking? The effects are disastrous, it would be for each pair, even the strongest and most durable in the world. So how should we react? What to do? What to do? The point is not to lose the high road of the strength of mutual trust, which is also made of mistakes repaired, then clarified lies, betrayals forgiven. In short, what "The Kid Are All Right," says family is a model of universalization, which has the same characteristics of a common family: and in the end what is really common and what is not? The "strange" or in any family there are the unusual and the ability to create a birth the need to feel connected, a need that has no gender, age, religion, sexual orientation. The family is this need to be together and share. The issues becoming relevant once found a way to overcome them. Nic and Jules they succeed? Maybe you but not for the extraordinary nature of their relationship but because they are willing to forgive and move forward as worthy of the name of every family should do.





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The Social Network (2010)

Directed by David Fincher . By Jesse Eisenberg , Andrew Garfield, Justin Timberlake , Armie Hammer, Max Minghella .

Mark Zuckerberg, the boy who would become the youngest billionaire in history, creating the world's most widely used social network in 2004 was a brilliant student at Harvard, but with few social skills.

In a world in which we have little time, that is dedicated to listening to the neighbor is now close to zero. "The Social Network", fictionalized story of the birth of the most popular site on the web, says first and foremost a human story and the last stage of our evolution as a man has found a way to express themselves through what they do not sees. Millions of people are protected from escaping reality in a few twitter or facebook or myspace profile and somehow manage to be loyal to themselves than they ever would in real life the giorni.Mark Zuckerberg, a brilliant Harvard student more than a superb computer programmer, has been and is still an excellent observer of the social dynamics of the boys his age who is not too difficult to be applied to the world intero.La desire to communicate is actually a basic need of human beings and the desire to search and find is what keeps standing the system of human relations.

Facebook, like other network services, it is actually this: a set of requirements that encoded link to multimedia programs that facilitate the relationships and self-expression stessi.Fin the early stages of work on "The Social Network", not many predicted a product of such importance, but it was easy to forecast as the subject matter would play a role in the success of the film. David Fincher is a director departs substantially from model to which he belongs and he seems trapped in this "network" of relationships that develop between the protagonists of the film. In fact, "The Social Network" has the advantage of not telling facebook but to interpret it as social and cultural phenomenon, revealing the most secret and fascinating elements and also show a much more formidable face, a sort of "contagion" of the need Contact ineffrenabile sincere human mind, even if physically distant.

Facebook.inc is a company with a turnover of 1 billion dollars a year. It is the sixth power of the press after the fourth and fifth television, is the dark power to manipulate minds and habits, and arises to change the course of the lives of those who are touched. Beyond anything you can think of, Facebook is a revolution of enormous importance, almost indescribable in detail because it is a revolution also in place that will not end very soon, few of us can see the end, if there ever will be. But what makes the movie work of Fincher's intriguing is the attention given to captured the social dynamics of the characters, conceived in a kind of still image, even if rapid, easily approachable to all those who have been attacked by the facebook craze, but even more deeply by modernity.

"The Social Network" is an exploration, a journey of the characters is uncertain, unclear contours, but with the awareness that beyond the desktop there is someone who listens, trying to understand you, in this world where everyone going in a hurry, just find the time in front of a computer screen. Many might think of it as a degenerative phenomenon, but if 500 million people have adhered to this philosophy is difficult to consider it just a bluff a boy genius bored with college life.

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Rabbit Hole (2010) The Last

Directed by John Cameron Mitchell . With Nicole Kidman , Aaron Eckhart, Sandra Oh , Dianne Wiest , Jon Tenney, Tammy Blanchard, Giancarlo Esposito , duration 90 min. - USA 2010.

"Rabbit Hole" traces the fine line between despair and hope, is the encounter between death and life, the communion between joy and sadness. It is not easy to put together emotions and moods so different, but the delicate and fair director John Cameron Mitchell arrives at the finish line and reaches all intents promised. Without trapping the feelings compartmentalized, Cameron-Mitchell in his hands a model as simple as powerful a story of a broken family trying to rebuild, starting from simple things everyday. An everyday life that Becca and Howie Corbett for hard work and pain, but with the desire to share their pain even with the times and ways they will find the strength to face. "Rabbit Hole" begins, perhaps at the time of its conclusion, that final open that suggests the opposite of everything, Becca and Howie are thrown into the rabbit hole, hoping to to achieve the happiness that would exist in one of the many parallel universes in which Jason, sensitive young student who has invested their son, because he totally believes meets every day a reality that seems too big and too overwhelming. "Rabbit Hole" is a hymn to life exorcising death, an ending that will not look back, but maybe most of the death of a child, "Rabbit Hole" is about a loss of something that is so loved and will never return and emptiness that the loss and leaves the dilemma of how to fill it. An immense pain that does not disappear but that is changing, the only problem is how to know and understand how affrontare.Un 'esisetenza cut that in two tries to reunite herself with the knowledge that the future can never be more than one project but that will be built step by step with a "then" infinite resignation will not have peace but only a load to carry in pocket vita.Si will accompany the path of suffering, and we laugh, we cry and we are moved as if the sensations were also affected by our protagonists, because everyone has suffered a loss in some way and "Rabbit Hole" does not offer a solution but a way to survive in the least difficult as possible but without remedies promise false and hypocritical scappatoie.Il vacuum and the weight that it carries within it the people we loved and who have been away forever but more generally of all that we thought was gone forever and instead of tutto.John Cameron Mitchell and feel involved and noted the delicacy and discretion to leave the story in its natural evolution without forcing useless and trivial games dramatization . Will certainly not be his most disturbing film, and is certainly not an innovative film of its kind, but the sensitivity to observe but never intrusive characters and situations makes his directing a good lesson in great American indie cinema that no-frills unnecessary and without exaggeration withdrew with a simple family who is trapped in a limbo in which, despite its flaws it feels as ever closer. The camera glides gently on the faces of the characters, is always consistent with the circumstances and if by "Shortbus" was done from this point of view, a good job here if you can go beyond himself, with the difference being that while Far less is more emotion-related but at the same time posted so polished as not to compromise the result to excessive coinvolgimento.Ma John Cameron Mitchell did not do everything alone, the credit goes to the excellent screenplay by Lindsay-Abair that cleverly adapts the drama and its changes due to the intent and necessary Rimage faithfully iniziali.Il cast, there's little to say, is excellent. A team of actors in a state of grace, in its comfortable with a subject so difficult, from an amazing cappeggiato Nicole Kidman not miss a tone, a glance, a gesture, explores all possible levels and the wide range of emotions related to his character. Vince twice: as an actress and as a producer, this film is 80% his work. Harsh but torn, you may even feel almost touch the silent anger and despair that is brought in, it is never too much and enjoy moments of pure recitazione.Aaron Eckhart follows, with nothing to envy, manages to be sensitive and specific at the same time, with honesty and conviction interprets the pain of a father trapped in their passato.Miles Teller is a youngster, you hear a lot more about him because hopefully seeing him in the role of Jason, Danny accidentally murderess, brings a lump in my throat. Howie, Becca and Jason, three lost souls are faced with a situation much larger than them but that will have to overcome together without blame, accuse, but without sharing what they carry inside. Each of them can survive as they can not and should not be alone. "Rabbit Hole" also teaches that, as others are important for survival of life itself, and above all share what we have in the heart helps to make "the then "of life more easily acceptable and easier to digerire.Un film that hits the soul and heart, but perhaps easier to potente.Esattamente this much like life.

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Buscadero (1972)

USA, 1972 , Comedy , length 102 '] Directed by Sam Peckinpah With Steve McQueen (I) , Robert Preston, Ida Lupino , Ben Johnson

Junior Bonner is the son of a former rodeo champion who now cultivates the dream of moving to Australia in search of gold. But Junior's career is in decline.

as Sam Peckinpah. America does not tell anybody and nobody succeed. Master of the New Hollywood, P. once again gives us a story full of disenchantment that candor mixed province that the U.S. has rude. Desires, illusions and broken dreams, they are the components of a province so innocent and pure but also naive, fond of rodeos, gaudy parades that celebrate the American dream that never arrived. Junior Bonner and his father are the ones who have tasted the dream, but too little, and why try to catch him but with a bitter taste in the mouth of someone who has wasted opportunity too early.
difficult to reconstruct the shards of a life to waste what little he knew Offir and now it is difficult to react to his revenge, which consists of disappointments, disappointments and defeats. Junior and his father are two American men who do not believe in fences and white sedan parked in the garage, are men who believe in the destiny of man-made half and half served on a china plate of bad too fragile. However, this is Sam Peckinpah's America: the America of missed opportunities, rumpled shirts and cowboy hats with holes, jeans sdrucidi and dust on the windshield of old cadillac. It 'a real American, but that there is very nice, and maybe this is even more beautiful. A
Buscadero is just not that American dream, an opportunity lost, is nothing but dust, mud, and a dry wind from the metallic sound of a gigolo rusty car.
And there's little to say about Steve McQueen, and his face dirty and worn out that of those who lived and drank too much, tired eyes as two fires off dragging two legs ached, but that move just to get back for revenge. Winning on the life and America. Steve McQueen, Sam Peckinpah, they are the real America, but this time God will bless.

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Random Thoughts # 7

Ciapaiev (1934)
Nothing but a (good) Soviet propaganda films, but this time the socialist hero's face is more human and sensitive, almost like a Joh Wayne Bolshevik, rough and raw, peel the tough but noble principles. An eror almost romantic. In the end the propaganda remains in the background, and is affected by this bell'avventura.

Other Men (Strangers on a Train) (1951)
One of the minor Hitchcock film but not lower in quality. Characters from the ambiguous behavior outlined in their shapes but with almost surgical precision, framing effect (very good prologue). A bit 'too easy perhaps, the suspense has ulterior motives, there is less philosophy but the suspense will like Hitchcock, and so that's fine, no need to add more.

The Match Girl (1989 )
There's no acting, dialogue cut to the bone, fragments of a life stifled and rendered silent by the noise of the outside does not exist (the deafening noise of the factory and the noise of the tragedies of the world). Scene broken actions imbued with nihilism, there is no hope, there are no autonomous choices, only choices derived from the case. An exasperated and exasperating film. Icy, ghiccia to the core.

the thirteenth hour of the night (1969)
A work out of my head, in the true sense of the word. Crazy, sketched musical "wishes for the new year" full of ay and joviality but that hides a veiled sense of melancholy and "towards" the American film and a critique of the Soviet Union still too far behind. A contemporary musical by the plant without doubt but with factors particular to filmography Soviet classical (traditional folk singing could not miss). The Russians have made very few musicals are cash on the fingers of one hand, but when they do, they have semore good results and interesting products.

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The Black Sheep (2010)

A film Ascanio Celestini . With Ascanio Celestini , Giorgio Tirabassi , Maya Sansa , Luisa De Santis , Nicola Rigney , Barbara Valmorin , Luigi Fedele , Alessia Berardi, Alessandro Marverti , duration 93 min. - Italy 2010. - Bim output Friday 1 October 2010 .
Nicola is a thirty-five who has lived all his life in mental hospitals as a child when she went to take the eggs with her grandmother, then grow up as a patient. His life is punctuated by shopping with a nun, from simple jobs to giardinaio. Until he meets Marinella, old school and his first love. From here things get complicated.

Ascanio Celestini, after years of theater will be challenged for the first time with a feature film (After two documentaries for Fandango) and tells one of the most difficult aspects of the human race: the disease mentale.Orientativamente set between the years 60 (the fabulous 60s) and the year 2000, The Black Sheep is a sleek, but illogical trip to the disease Nicola, thirty-five with a difficult childhood as picturesque populated by grotesque characters and situations. Nicholas is the crazy story that becomes, with her grandmother who sells eggs, they eat spiders and going to the grocery store, which has never been to war and loves Marinella. How much would a normal life like this without that annoying label of "crazy"? Celestine makes us understand changing crazy with the saint. The lunatics in the asylum that is actually "a building of saints. "

Who is Nicole? Celestini it offers adventure and painful portrait of a curious child and a man to look through the eyes of" saint. "And this look is devoid of any mention of critical Nicola is in fact only able to give an opinion on the situation and takes it to its right to exist and fighting in his little lonely battle after the world, the company have abbandonato.Celestini is very good in telling this: mad people, are almost always abandoned by everyone: society, state, family. Like the saints, like the martyrs, left to their fate of death (the first mental and physical). In the character of Nicholas is contained all the malaise solitiduine of all the sadness of feeling of abandonment on the weight, patients in the asylum take over the shape of animals and trinkets that no one is responsible. This is the ordeal that the "holy fools" have to endure day after day.

Celestini is good, builds a good story and is sensitive, never inappropriate. He gives us a movie with a heart full of love laughter at Charlie Chaplin, Basaglia stated in 1978 that is no longer required "constraint" of mental institutions and their replacement by mental, not realizing that the constriction of the specific situation is always . Celestine offers a way to make this sweet and melancholy constriction a little 'lighter and easier to accept. The law Basaglia would restore dignity to the condition of the mentally ill in Italy but we have to say that the actual closing of all mental hospitals has never really happened, and that especially the condition of the mentally ill is still socially accepted and even today, more than 30 years after the law was to rehabilitate the figure of the "Crazy" still has to deal with obstacles of all kinds, especially social. Nicola understand what obstacles must be overcome in order to live and to be able to reach the heart of Marinella (school friend, one love of his life), but how can you overcome an obstacle when you do not know the causes? Nicola consapovole of his illness? Maybe not completely, because he was born and grew up in a sick and this is the only language he knows and the only option that was feared. Then Nicola Ascanio Celestini becomes a symbol of failure due to the fact that not all are born mad crazy and that is why they deserve more care and attention, not only medical. With an ending that is a fist in the face, falls right in the message that it is necessary that instills a sense of ethical responsibility in dealing with those who enter the darkness of the mind. All are afraid in the dark after all, then why not give a hand?

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Simon Of The Desert (1965)

A film by Luis Buñuel. With Claudio Brook, Enrique Alvarez Felix, Hortensia Santavenere Episode Simón del Desierto. Fantastic , b / w 42 min duration. - Mexico 1965.

Simon, a hermit who for 8 years, 8 months and 8 days living on a stone column in penance, poverty and prayer, is, or rather should, for what the Christian faith is perfect. But perfection, you know, belongs only to God, and that's why Simon, in effect proves to be a failure as a man and a Christian. The man who foolishly believe they get close to perfection even bypassing the Christian Church (Simon, rejects the priestly orders), the body that considers the mystery without Bunuel nemesis of the figure of Christ.
When a man decides, deliberately, to live the Christians to the dictates letters, though lit by crystal clear principles, it is still a human being, imperfect and limited, but even more vulnerable to worldly temptations. What Jesus taught is never to escape life but to live by adopting its principles. And when Simon finds himself in the midst of life, when actually alive and feels and perceives and absorbs the pulsations and vibrations of life, what does it do? We can not know. The film ends production problems so enigmatic. To those who believe and who not, are given the privilege to decide the fate of Simon, the sinner becomes a "living" or return to his spiritual journey away from the life that God has made for mankind after all? Life just
, or Satan, or the attractive woman, the mischievous student, the busty bearded lady ... so many times, a single purpose: Simon groped. We will succeed or fail? We can not know.
What is certain is that Simon of the desert is just as profane is sacred, and especially dismantled piece by piece, cut surgically the figure of the priest, destroy the Christian concept of the spirit distinct from the body, mind over body. A spirit that does not live with the body at the end is weak and the priesthood can be considered a refuge, a way to escape from the world, a column, an ivory tower where can you protect yourself from life. Demolishes one of the pillars of the Church on earth.
God after all, became man, he was flesh, lived, ate and drank, did not mind the company of friends, good laughs, and Bunuel presses and ride all the controversy went over from Simon ' end of the twentieth century, a time of revelry and lust, where it is difficult to believe that the values \u200b\u200bof Christianity can be applied, and the final cut of the clear distinction between the two points (spirituality and carnality) creates two corresponding groups, people living its too escaping the spiritual life to escape from the difficulties and working despite knowing the rules of Christ and who ignores these rules and live life with complete and utter materiality. And who's in the middle? Perhaps they are the real Christians. But a film like a mystery, it is very difficult to decipher and extract answers. It 's a mystery, as God, as the soul.
Bunuel not intimidated by this mystery, and now with Nazarin Simon tells two men fought with spirit and soul on which leave to dominate on the track and his perspective but as always, the complete absence of moral leaves everyone free to give the solution that comes closest to your idea of \u200b\u200breligion, spirit, God or whatever, While recognizing the importance of being eternal doubt and a margin of uncertainty in sceltra between soul and body. Life as a temptation, a sin, but still life. But we must be strong enough to survive, perhaps this is the teaching of Jesus, too abused, ignored, misrepresented. Bunuel in some way, try to do some 'order of thinking to a Christianity that goes beyond the Church.

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A symposium on language and languages \u200b\u200bat Pisa

Owning a language and express themselves through it, is a skill that we take for granted, most of the time.
rarely has the opportunity to reflect on the success of a possibility that ultimately may not even be there. Accustomed to direct communication, in which our thoughts are an exact match in the words that the cultural code of membership has made available, it remains difficult to imagine circumstances in which to build a meeting with the other who is not standing on the ground of shared words.
Experiments in Dialogue is an opportunity built around a discussion of this question and traveled along the gaps of the joint report generated by the subtraction of the word. Organised as part of the training workshop
Cesvot "From idea to project" AIART - Viewers Association - Delegation of Pisa and Tuscany AAT Aphasia Association, under the patronage of the Province of Pisa, Experiments in Dialogue, a festival before and a conference on, it is primarily a meeting between the many voices 'different'.
It is no coincidence that among the promoters of the festival appears that the Association deals with aphasia.
Aphasia as pathology, but also as a metaphor, paradox a company that runs the risk of drowning in the sea swelled in his own words.
The immediacy of the word has led us to ignore the word ineffective aphasia who can not open channels, bridge-building that goes back and makes us more alone.
the words of Anna Maria Blacks, coordinator for the Association Aphasia Tuscany, one of the promoters of the festival:
".... As we speak (always) quietly with ourselves, the condition of those who no longer has the time to act is the strangeness of the absolute identity of the gap and more shrill. Instead, the aphasic person 'thinks', only that he can no longer think in words. And losing the label, is likely to get lost and everything is chaos again. "
But the chaos you can not resist inventing new forms of transposition of the inner experience.
be aware of how our communication is on a roll in the air that can reach a destination if the launch trajectory provides the right, the right vehicle and the right weight is one of the challenges that the experiments Dialogue Festival launches its participants. The authors of selected works: ... .. sculptures, paintings, films, theater pieces, we asked to invent how to establish a relationship where the tools we have are inadequate to provide, in place of another's perception of the quality of our feelings, believing that diversity is nothing but a diversity of language.
A DVD, produced and distributed in thousands of copies, collect the 12 selected films that will be awarded during the event to be held on October 9 and 10 at the House of Leopolda in Pisa.
Scheduled performances of languages \u200b\u200b'other', dance, body expression of the theater, from music to video installations, will accompany the public meeting on 'The difficulty in the joint report and the contribution they can offer the languages \u200b\u200bof art'. Speakers
doctors, art therapy, educators, representatives of voluntary sector, communications specialists and Gestalt psychology, artists, suggesting how, given the transversality of the subject, no one can be considered free from reflection triggered.
To download the program initiative: www.educatodica.it

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Inception (2010)

Directed by Christopher Nolan . With Leonardo DiCaprio , Ken Watanabe, Joseph Gordon-Levitt , Marion Cotillard, Ellen Page , Tom Hardy , Cillian Murphy, Tom Berenger , Michael Caine, Lukas Haas , Tohoru Masamune, Claire Geare, Johnathan Geare, Carl Gilliard , Daniel Girondeaud , duration 142 min . - USA, Great Britain 2010. - Warner Bros

Sun Cobb is able to fit in the dreams of others to pick up the secrets hidden in the depths of the subconscious. Is contacted by Saito, a powerful industry which asks him groped the opposite. It should not take place but an idea that hidden thoughts to take root in the mind of a person.

Inception is a masterpiece of suggestion, manipulation, control, creazione.E 'a journey into the mind but still within the first man. Outline of an original idea (but not too much) the human mind span multiple levels where the latter is certainly the most fascinating. Lurk in the minds of our most secret thoughts, our emotions more remote, suppressed and forgotten, our desires and our hopes, our most valuable ideas. It 'unfortunate that a work of having to extract even more ominous, however, having to create one. How do you create an idea out of nothing? By manipulation, but hard work, emotional, intellectual and even physical. Nolan is saying in effect, in his usual ambiguous, that idea is hard, think costs, costs to implement it, remove it from the coast. The world of ideas is in fact a world that is so part of us that we do not realize how hard it is to have, and how dangerous it is one misconception is implanted, it can change a life and the course of events.

In the world of ideas you can manipulate all time and space, and then in a world so complex and yet so fragile and weak the only point of support and ricongiumento are the real memories of real life . Memories are precious because they represent ideas our way, the materialization of these ideas, then next level and a final. Nolan is saying that we trapped in our mind is forgetting the real danger? Certainly yes, and that is what has happened to Dom Cobb, a little 'hero is a bit' anti-hero struggling with his memories and his ideas, he will choose to end the first, because even if they are real and painful are alive in him, always. Inception, accused by many critics to be too bizarre, it's actually much easier than it seems, even less difficult of his earlier films Nolan, is understandable only if you enter the ambiguous representation of his view of our subconscious conceived and told with where a huge Chinese box but the important thing is to keep firm in a landmark not to miss, and who we can be sure will taste this masterpiece. It 's a film that clearly needs a very high degree of concentration and attention almost complete, but the experience is worth the effort. The most successful film of Nolan? Very probabilmentesi it: his direction is more solid, more polished and that is why his usual ambiguity paradoxically manages to be more understandable and concludes the process of testing began with Memento and continued with Insomnia and The Prestige of how the human mind is so greatly exposed to manipulation and deceit. Means that despite the great wall of sensations and emotions, is behind us a fragile house of cards very easy to break down.

Our intellect is a "non", suspended between life and a place where imagination is too easy to get lost, and Nolan teaches us how to remain docked to life, como although seemingly more comfortable and safer to dream, if at the end you do not live what really happens, our actions even though the fruits of our thoughts, make no sense, our life has no meaning. Don Cobb struggle for the affirmation of this principle and the strength of memories of his life makes the story ends in the right way, maybe for some easy-going, but it is a logical end for a film that is never lost even though it is very hard to get lost inside , a little 'how is our mind that the following laws and thus remains unknown in a equilbrio that we can paradoxically be destabilizing. A strong film, safe, precise, like Nolan can be.

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Australia (The Shout) 1978

A film by Jerzy Skolimowski . With Susannah York, John Hurt , Tim Curry, Alan Bates, Robert Stephens Episode The Shout. Drama, 87 min duration. - Great Britain 1978.

hospitalized in a psychiatric British, a man claiming to be able to kill with a shout, as they do the Aborigines of Australia.

A scream can be understood as many things meant as demonstrations of many different moods: scream of joy, pleasure, sorrow, excitement. But what makes Charles Crossley with his scream "terrifying" is beyond belief. After spending 18 years together with the Australian aborigines, Crossely becomes a man old in a new land (Australia) a new man in an old land, which dramatically changes the lives of Mr and Mrs Fielding before bringing new sensations even terrible. The fire is out of their life again thanks to the mystery that carries Crossley, son of mystery 18 years of magical practices, customs Indigenous most powerful scientific value that Fielding lay almost in a "God Almighty. More powerful, not because older, but why still put into practice with physical and spiritual fervor of the characters shocking, characters that have marked the life of Crossely indelibly.
That The Shout (scream in fact) is a mystical movie but one that seeks to analyze the relationship between God and man through the consequences that this relationship brings forth. "Divine" there is very little film is a passionate, very physical, but in fact God can be manifested through their bodies and emotions completely earthly men that despite the desire to elevate above matter, turn to God because it interferes on their material needs. For this Crossley questions the value of the soul, the soul that he has seen it manifest itself in many forms of earth, not rightly understand why and how they should be released when it knows that it already is. It is no coincidence that this freedom of the soul is perceived, understood and accepted by an "idiot", a foreign misunderstood belief that Western social enclose the definition of "crazy". It 's the value of purity and naturalness of this idiot who keeps the preciousness of the soul never understood as something that belongs to the man but instead has the man. It is the cry
a form of liberation that kills. But most of the sound is to kill the evil force that his body should expel, a force that ordinary human beings do not know they possess. Crossley has figured out how to find and how to control it, but the forces of earth, the human impusli know how to be even stronger.
The Shout has its rough environments most of its charm, and Jerzy Skolimowski using the shell beautifully the nature of landscapes and events and transforms them into something scary, quiet, small but powerful. The sparse scenery makes it easy to focus on the history and magnificent performances by Alan Bates, Susannah York and John Hurt with humility that are carried away by events led and lulled by the iron hand of Skolimowski. The actual feeling of charm and mysticism, however, leaves sometimes dominated by a vague sense of hermetic self-satisfied, a game of "do not mean to say" too little is made that sometimes spontaneous. But the hypnotic charm of Alan Bates makes you forget every imperfection. Cinema can not always give interpretations so subdued, quiet and beautiful, and the Charles Crossley Bates is one such rarity.

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Random Thoughts # 6

Mean Streets (1973)
Scorsese sharpening their weapons for what will be a little later one of the finest American film filmography and more. A film solid and secure deals with so many tragedies, interior and social. The crisis of the religious, the crisis of personal identity and ethnic identity. The desire to change clashes with the reality that look like chains that make impossible any movement indestructible. The habit and resignation to it is a cancer that kills slowly. Extraordinary actors.

Brancaleone's Army (1966)
A film that ages well, like good wine. There is much more than pure entertainment, comedy is a polemic, attentive and sharp. Irrenefrenabile a cascade of sharp sarcasm that shows the average Italian is always the same in his habits and his infamous but now indistinguishable "art of getting by." A title is a legend. Brancaleone's Army as a way of life and a line of thought. Unforgettable, a film that made history.

Darling Clementine (1946)
Ford began to explore the philosophy of "distance" from one end, from their land, from your family.

a distant momentaneamemte bypassed by other purposes that do not manage to cover the void of missing the opportunities lost and faces never seen again. The action is pure poetry, the characters have a dignity and integrity that only Ford could give as an end without in falsehood, and are accompanied by an aura of mysticism as in a lyrical and romantic, but even so the material. And then, what a beautiful name that is Clementine.

Stray Dog (1949)
very solid noir directed by Kurosawa with cunning. More than a history of men is more a story of a city, Tokyo. The search for the gun has a metaphorical sense all clear whether collected in the interest of the film, a bit 'less clear if you look into the details of the narrative. And 'in fact the whole who stray dog \u200b\u200bis caught, the search for a city like Tokyo, its suburbs and slums to find an identity in between tradition and innovation.

Phantom Lady (1944)
One of the highlights of the 40's film noir. Siodmak riprone successfully dirty atmosphere of The Killers giving a highlight film of the genre. Hits for his cunning in playing with the script to the storyline. Although the characters seem a bit 'stereotyped three-dimensional and have feelings.

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Australia (2008)

[Australia, USA / Australia , 2008 , Adventure , length 155 '] Directed by Baz Luhrmann With Hugh Jackman, Nicole Kidman , David Wenham , Bryan Brown, Bruce Spence , Jack Thompson, David Gulpilil , Ben Mendelsohn, Jacek Koman , Bill Hunter

You can say any thing that is too long, too dull, too here, too much of the, too much of everything. Bales. It 'a film by Baz Luhrmann, this should suffice. And that is why that should be taken: either you love it or hate it, there is no middle ground. Once again, Luhrmann takes the classic, the classic genre and turns it, he does his, modifies and makes us what we want. And if perhaps in the U.S. have struck down so much, because it did not go down to the fact that gender American excellence has been "lying" to the needs of a story australianissima, but with a bit of effort turns into a universal story. Or maybe because the Yankees have recognized the role of the bad guys who kill and rape white aborigines as they did with red skin? Maybe. But Australia does not need too much effort, it is a simple story, a story already told, but as it is told is something majestic. There is no intellectual beauty, but if everyone stopped on the role of the critic snob with the Courier under his arm, much better appreciation for the simple beauty of this epic film. Like all other Luhrmann's film history has no importance crabs, but the choices are of the characters, their stories, their feelings that hit, that are real and sincere. Some people call meat loaf, and there may be: why the bad guys are real bad, the good guys are really good, and the story as it is told. Two merits Luhrmann to: describe with so much passion the costumes, customs, and (unfortunately) the reality of Aboriginal was the most difficult task yet most felt; capture the sublime beauty of a wild and innocent, such as Australia's succeeded very well. Australia is a journey, is a country, but also Sarah Ashley, is the herdsman, is Nullah and are all involved in the film. Australia is a epic is an epic film and be taken so, for what it is: a film about feelings, like all others Luhrmann. No more, no less. Australia is the story of a group of people, is the story of a family, is the story of a house, is the story of a country, the story of a land: "Your land, our land."

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Doubt (2008)

[Doubt, USA, 2008 , Drama, length 143 '] directed by John Patrick Shanley With Meryl Streep, Philip Seymour Hoffman , Amy Adams , Viola Davis, Lloyd Clay Brown , Joseph Foster, Bridget Megan Clark , Lydia Jordan, Paulie Litt , Matthew Marvin

Doubt is with surprise, an astute film, subtle and enigmatic. Nor could it be otherwise given the title. Doubt creeps suspect, it shows the happiness of morbid lodge, a snake crawling with malignant ambuguità, but in the end also shows repentance, the terrifying sensation of having strayed from the truth, on a whim, or arrogance, or simply the same desire for truth at all costs. It 's a movie that plays on the screenplay, to solid ambiguous and incomprehensible, which is based the unspoken words, things not done, barely touched by truth, the stories told in half. It 's definitely impressive is the role of actors, all very good and quite capable of not stay within nell'esagerazione. A film by social background, a fierce critic of the Church (and perhaps, too many irons in the fire, all you have touched and insight, but luckily the film did not want to rely on this), but it's all focused on the ability of the doubt in order to change Stop the lives of people, willingly or unwillingly. The final scene is of a depth rarely seen in films of this genre, especially in recent years (and Streep, there is little you can do this if the nomination is 15th deserve). For most of the time the film remains in a limbo of indecision and agonizing pain and nagging doubt disturbing, accompanied by a photograph from the icy shades and a structure (Excessive) theater. But in the end it offers a soluazione too easily, and perhaps this is his major failing. It would have been nice to not give any response or even make sense. It would be wonderful to remain undecided and a cot, in fact, when in doubt.

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Magnolia (1999)

[Magnolia, USA, 1999 , Drama, length 188 ', b / n] Directed by Paul Thomas Anderson With Tom Cruise , Jason Robards, Julianne Moore , William H. Macy, Melora Walters

The past is a foreign land. Rain of toads: a disaster, a liberation, a horror, a miracle. A film about the metaphors, symbols, the meanings of what is past, how it affects our present and how we put to the test in order to organize our future better. The present becomes the past too quickly and the future is so close as to seem nonexistent. So how? Make peace with his past will not bear things, just donate all the semblance of being able to live that moment between the present and future and between past and present with more harmony. well aware of the nine petals of a magnolia, Magnolia nine stories connected by a thin thread and tiny just a symbol of how fleeting and difficult to distinguish the boundary between the three stages of life. Elegant, refined, perhaps a little 'tendency for complacency, but a strong work, a fist in the face, and a film of PTA said that 9 lives from the inside and then arrive at universal conclusions. From small to reach wider, 9 ordinary lives that are transformed into absolute truths. PTA is too smart to expire in morality, no moral as in grief and sorrow there is only despair, there is only the will to look better and make their lives better, but with the constant anxiety that the past is getting bigger and the future is now smaller.