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Inception (2010)

Directed by Christopher Nolan . With Leonardo DiCaprio , Ken Watanabe, Joseph Gordon-Levitt , Marion Cotillard, Ellen Page , Tom Hardy , Cillian Murphy, Tom Berenger , Michael Caine, Lukas Haas , Tohoru Masamune, Claire Geare, Johnathan Geare, Carl Gilliard , Daniel Girondeaud , duration 142 min . - USA, Great Britain 2010. - Warner Bros

Sun Cobb is able to fit in the dreams of others to pick up the secrets hidden in the depths of the subconscious. Is contacted by Saito, a powerful industry which asks him groped the opposite. It should not take place but an idea that hidden thoughts to take root in the mind of a person.

Inception is a masterpiece of suggestion, manipulation, control, creazione.E 'a journey into the mind but still within the first man. Outline of an original idea (but not too much) the human mind span multiple levels where the latter is certainly the most fascinating. Lurk in the minds of our most secret thoughts, our emotions more remote, suppressed and forgotten, our desires and our hopes, our most valuable ideas. It 'unfortunate that a work of having to extract even more ominous, however, having to create one. How do you create an idea out of nothing? By manipulation, but hard work, emotional, intellectual and even physical. Nolan is saying in effect, in his usual ambiguous, that idea is hard, think costs, costs to implement it, remove it from the coast. The world of ideas is in fact a world that is so part of us that we do not realize how hard it is to have, and how dangerous it is one misconception is implanted, it can change a life and the course of events.

In the world of ideas you can manipulate all time and space, and then in a world so complex and yet so fragile and weak the only point of support and ricongiumento are the real memories of real life . Memories are precious because they represent ideas our way, the materialization of these ideas, then next level and a final. Nolan is saying that we trapped in our mind is forgetting the real danger? Certainly yes, and that is what has happened to Dom Cobb, a little 'hero is a bit' anti-hero struggling with his memories and his ideas, he will choose to end the first, because even if they are real and painful are alive in him, always. Inception, accused by many critics to be too bizarre, it's actually much easier than it seems, even less difficult of his earlier films Nolan, is understandable only if you enter the ambiguous representation of his view of our subconscious conceived and told with where a huge Chinese box but the important thing is to keep firm in a landmark not to miss, and who we can be sure will taste this masterpiece. It 's a film that clearly needs a very high degree of concentration and attention almost complete, but the experience is worth the effort. The most successful film of Nolan? Very probabilmentesi it: his direction is more solid, more polished and that is why his usual ambiguity paradoxically manages to be more understandable and concludes the process of testing began with Memento and continued with Insomnia and The Prestige of how the human mind is so greatly exposed to manipulation and deceit. Means that despite the great wall of sensations and emotions, is behind us a fragile house of cards very easy to break down.

Our intellect is a "non", suspended between life and a place where imagination is too easy to get lost, and Nolan teaches us how to remain docked to life, como although seemingly more comfortable and safer to dream, if at the end you do not live what really happens, our actions even though the fruits of our thoughts, make no sense, our life has no meaning. Don Cobb struggle for the affirmation of this principle and the strength of memories of his life makes the story ends in the right way, maybe for some easy-going, but it is a logical end for a film that is never lost even though it is very hard to get lost inside , a little 'how is our mind that the following laws and thus remains unknown in a equilbrio that we can paradoxically be destabilizing. A strong film, safe, precise, like Nolan can be.

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Australia (The Shout) 1978

A film by Jerzy Skolimowski . With Susannah York, John Hurt , Tim Curry, Alan Bates, Robert Stephens Episode The Shout. Drama, 87 min duration. - Great Britain 1978.

hospitalized in a psychiatric British, a man claiming to be able to kill with a shout, as they do the Aborigines of Australia.

A scream can be understood as many things meant as demonstrations of many different moods: scream of joy, pleasure, sorrow, excitement. But what makes Charles Crossley with his scream "terrifying" is beyond belief. After spending 18 years together with the Australian aborigines, Crossely becomes a man old in a new land (Australia) a new man in an old land, which dramatically changes the lives of Mr and Mrs Fielding before bringing new sensations even terrible. The fire is out of their life again thanks to the mystery that carries Crossley, son of mystery 18 years of magical practices, customs Indigenous most powerful scientific value that Fielding lay almost in a "God Almighty. More powerful, not because older, but why still put into practice with physical and spiritual fervor of the characters shocking, characters that have marked the life of Crossely indelibly.
That The Shout (scream in fact) is a mystical movie but one that seeks to analyze the relationship between God and man through the consequences that this relationship brings forth. "Divine" there is very little film is a passionate, very physical, but in fact God can be manifested through their bodies and emotions completely earthly men that despite the desire to elevate above matter, turn to God because it interferes on their material needs. For this Crossley questions the value of the soul, the soul that he has seen it manifest itself in many forms of earth, not rightly understand why and how they should be released when it knows that it already is. It is no coincidence that this freedom of the soul is perceived, understood and accepted by an "idiot", a foreign misunderstood belief that Western social enclose the definition of "crazy". It 's the value of purity and naturalness of this idiot who keeps the preciousness of the soul never understood as something that belongs to the man but instead has the man. It is the cry
a form of liberation that kills. But most of the sound is to kill the evil force that his body should expel, a force that ordinary human beings do not know they possess. Crossley has figured out how to find and how to control it, but the forces of earth, the human impusli know how to be even stronger.
The Shout has its rough environments most of its charm, and Jerzy Skolimowski using the shell beautifully the nature of landscapes and events and transforms them into something scary, quiet, small but powerful. The sparse scenery makes it easy to focus on the history and magnificent performances by Alan Bates, Susannah York and John Hurt with humility that are carried away by events led and lulled by the iron hand of Skolimowski. The actual feeling of charm and mysticism, however, leaves sometimes dominated by a vague sense of hermetic self-satisfied, a game of "do not mean to say" too little is made that sometimes spontaneous. But the hypnotic charm of Alan Bates makes you forget every imperfection. Cinema can not always give interpretations so subdued, quiet and beautiful, and the Charles Crossley Bates is one such rarity.