Tuesday, August 10, 2010

Does Butal Causeimpotence

Random Thoughts # 6

Mean Streets (1973)
Scorsese sharpening their weapons for what will be a little later one of the finest American film filmography and more. A film solid and secure deals with so many tragedies, interior and social. The crisis of the religious, the crisis of personal identity and ethnic identity. The desire to change clashes with the reality that look like chains that make impossible any movement indestructible. The habit and resignation to it is a cancer that kills slowly. Extraordinary actors.

Brancaleone's Army (1966)
A film that ages well, like good wine. There is much more than pure entertainment, comedy is a polemic, attentive and sharp. Irrenefrenabile a cascade of sharp sarcasm that shows the average Italian is always the same in his habits and his infamous but now indistinguishable "art of getting by." A title is a legend. Brancaleone's Army as a way of life and a line of thought. Unforgettable, a film that made history.

Darling Clementine (1946)
Ford began to explore the philosophy of "distance" from one end, from their land, from your family.
a distant momentaneamemte bypassed by other purposes that do not manage to cover the void of missing the opportunities lost and faces never seen again. The action is pure poetry, the characters have a dignity and integrity that only Ford could give as an end without in falsehood, and are accompanied by an aura of mysticism as in a lyrical and romantic, but even so the material. And then, what a beautiful name that is Clementine.

Stray Dog (1949)
very solid noir directed by Kurosawa with cunning. More than a history of men is more a story of a city, Tokyo. The search for the gun has a metaphorical sense all clear whether collected in the interest of the film, a bit 'less clear if you look into the details of the narrative. And 'in fact the whole who stray dog \u200b\u200bis caught, the search for a city like Tokyo, its suburbs and slums to find an identity in between tradition and innovation.

Phantom Lady (1944)
One of the highlights of the 40's film noir. Siodmak riprone successfully dirty atmosphere of The Killers giving a highlight film of the genre. Hits for his cunning in playing with the script to the storyline. Although the characters seem a bit 'stereotyped three-dimensional and have feelings.

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Australia (2008)

[Australia, USA / Australia , 2008 , Adventure , length 155 '] Directed by Baz Luhrmann With Hugh Jackman, Nicole Kidman , David Wenham , Bryan Brown, Bruce Spence , Jack Thompson, David Gulpilil , Ben Mendelsohn, Jacek Koman , Bill Hunter

You can say any thing that is too long, too dull, too here, too much of the, too much of everything. Bales. It 'a film by Baz Luhrmann, this should suffice. And that is why that should be taken: either you love it or hate it, there is no middle ground. Once again, Luhrmann takes the classic, the classic genre and turns it, he does his, modifies and makes us what we want. And if perhaps in the U.S. have struck down so much, because it did not go down to the fact that gender American excellence has been "lying" to the needs of a story australianissima, but with a bit of effort turns into a universal story. Or maybe because the Yankees have recognized the role of the bad guys who kill and rape white aborigines as they did with red skin? Maybe. But Australia does not need too much effort, it is a simple story, a story already told, but as it is told is something majestic. There is no intellectual beauty, but if everyone stopped on the role of the critic snob with the Courier under his arm, much better appreciation for the simple beauty of this epic film. Like all other Luhrmann's film history has no importance crabs, but the choices are of the characters, their stories, their feelings that hit, that are real and sincere. Some people call meat loaf, and there may be: why the bad guys are real bad, the good guys are really good, and the story as it is told. Two merits Luhrmann to: describe with so much passion the costumes, customs, and (unfortunately) the reality of Aboriginal was the most difficult task yet most felt; capture the sublime beauty of a wild and innocent, such as Australia's succeeded very well. Australia is a journey, is a country, but also Sarah Ashley, is the herdsman, is Nullah and are all involved in the film. Australia is a epic is an epic film and be taken so, for what it is: a film about feelings, like all others Luhrmann. No more, no less. Australia is the story of a group of people, is the story of a family, is the story of a house, is the story of a country, the story of a land: "Your land, our land."

Battery Operated Small Freezer

Doubt (2008)

[Doubt, USA, 2008 , Drama, length 143 '] directed by John Patrick Shanley With Meryl Streep, Philip Seymour Hoffman , Amy Adams , Viola Davis, Lloyd Clay Brown , Joseph Foster, Bridget Megan Clark , Lydia Jordan, Paulie Litt , Matthew Marvin

Doubt is with surprise, an astute film, subtle and enigmatic. Nor could it be otherwise given the title. Doubt creeps suspect, it shows the happiness of morbid lodge, a snake crawling with malignant ambuguità, but in the end also shows repentance, the terrifying sensation of having strayed from the truth, on a whim, or arrogance, or simply the same desire for truth at all costs. It 's a movie that plays on the screenplay, to solid ambiguous and incomprehensible, which is based the unspoken words, things not done, barely touched by truth, the stories told in half. It 's definitely impressive is the role of actors, all very good and quite capable of not stay within nell'esagerazione. A film by social background, a fierce critic of the Church (and perhaps, too many irons in the fire, all you have touched and insight, but luckily the film did not want to rely on this), but it's all focused on the ability of the doubt in order to change Stop the lives of people, willingly or unwillingly. The final scene is of a depth rarely seen in films of this genre, especially in recent years (and Streep, there is little you can do this if the nomination is 15th deserve). For most of the time the film remains in a limbo of indecision and agonizing pain and nagging doubt disturbing, accompanied by a photograph from the icy shades and a structure (Excessive) theater. But in the end it offers a soluazione too easily, and perhaps this is his major failing. It would have been nice to not give any response or even make sense. It would be wonderful to remain undecided and a cot, in fact, when in doubt.

Monday, August 9, 2010

Ptoducts For Broken Capillaries

Magnolia (1999)

[Magnolia, USA, 1999 , Drama, length 188 ', b / n] Directed by Paul Thomas Anderson With Tom Cruise , Jason Robards, Julianne Moore , William H. Macy, Melora Walters

The past is a foreign land. Rain of toads: a disaster, a liberation, a horror, a miracle. A film about the metaphors, symbols, the meanings of what is past, how it affects our present and how we put to the test in order to organize our future better. The present becomes the past too quickly and the future is so close as to seem nonexistent. So how? Make peace with his past will not bear things, just donate all the semblance of being able to live that moment between the present and future and between past and present with more harmony. well aware of the nine petals of a magnolia, Magnolia nine stories connected by a thin thread and tiny just a symbol of how fleeting and difficult to distinguish the boundary between the three stages of life. Elegant, refined, perhaps a little 'tendency for complacency, but a strong work, a fist in the face, and a film of PTA said that 9 lives from the inside and then arrive at universal conclusions. From small to reach wider, 9 ordinary lives that are transformed into absolute truths. PTA is too smart to expire in morality, no moral as in grief and sorrow there is only despair, there is only the will to look better and make their lives better, but with the constant anxiety that the past is getting bigger and the future is now smaller.

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Random Thoughts # 5-The Word

In This Our Life (1942)
weblog Warner Bros. melodrama that exploits without infamy and without praise the star power of two ladies as Bette Davis and de Havilland. A film mainly linked to the interpretative power of Davis and his grace "awkward", he knows what to do and how it must be done, his swagger and perceived safety is not a bad thing. But the film is not deep, is struggling to hold the wire, and Huston directed his second seems almost intimidated by the power of Davis that if left in complete freedom still manages to be precise and targeted in exposing her emotions. For this reason, covers, unfortunately, the delicacy of a De Havvilland still in effect "Gone With The Wind", but it deserved more attention for developing a potentially interesting character.

A Woman's Face (1941)
On the face of Joan Crawford could write streams of words. But Cukor's film is this that enables us to understand its importance, its breathtaking beauty, its power to portray the hardness but also with fresh femininity, the pain of "woman". In this case the woman is Anna, incattività by the company, with his scar is the result of a society indifferent to dry and sensitive understanding of the needs of women, always a victim of human ignorance, which sees it as a heavy bundle of feelings and emotions difficult to understand and to bear. Joan Crawford guided by a sure hand and including Cukor (who also changing narrative register, with more dramatic colors, can still be wonderfully sensitive and delicate), nell'irrequietudine of his spirit, in the irregularity of his face, tells the Odyssey the death of a woman with soul and eyes, but finds himself the way of salvation in the simple power of love and of life itself.

Vertigo (1944)
There are other adjectives to describe vertigo if not erotic. Great golden age of Hollywood noir, dark, black in the fullest sense of the word. The Italian title, more than the American one, describes the feeling of the film carrier. A dizzying taste sensual but also terribly dramatic. Tension builds up to unsustainable levels in the final. Gene Tierney's breath away, stupemda.


The Country Girl
weepy and sentimental drama that made a star Grace Kelly, procuring a well-deserved Oscar. Amazing, exciting, beautiful. A film that is worth mentioning if only for the beauty of interpretation. Crosby also in an unusual but very effective and dramatic negative aura gives a convincing and intense: it manages to give a touch of class even at a pathetic and sad figure as Frank Elgin, a test is not easy to overcome brillanetemente. William Holden also good but the part of the beautiful and fascia perhaps beginning to pall.

Saturday, August 7, 2010

Tally For Mini Leptop

Ordet (1954)

A film by Carl Theodor Dreyer . With Henrik Malberg, Emil Hass, Birgitte Federspiel, Ove Rud, Ejner Federspiel, Gerda Nielsen, Hanne Agesen, Kirsten Andreasen, Sylvia Eckhausen, Cay Kristiansen, Preben Lerdorff Rye, Ann Elisabeth Rud, Susanne Rud, Skjær Henry, Edith TraneTitolo original. Drama , b / w 124 min duration. - Denmark 1954.

Morten, the patriarch of the family Borgen, always strong in his faith, living a moment of deep crisis in his relationship with God because of their first child Mikkel atheism, the madness of the second son Johannes (student of the theories of Kierkegaard and now believes the new Messiah) and the third genito Anders, who would like to ask the hand of a girl daughter of a supporter of the opposing confession to him. The only one to bring a bit 'of peace in the family is Inger, Mikkel's wife, mother of two and pregnant with a boy.

Ordet Dreyer summarizes the view that religion, or rather how people see religion. Because for Dreyer religion is essentially the attitude with which man expresses his faith.
If the Danish director had already accustomed us to the mystical and seeking contact with God (La Passion de Jeanne D'arc at all), this time plays hard and puts into question all dogmas and dictates that the Christian religion has sent forward for more than two thousand years and bring it back to a size of rugged simplicity and immediacy that relationship between God and men uncomfortable miracle of miracles: the resurrection.
God found in the simplest things and the simplicity of man to know how to ask and seek him. It 's the lesson Johannes, son of Morten considered crazy, it deals with the whole family too occupied land for feelings not recognize the grace that God gives each day.
Blindness man wanting more diverts attention from important things, but extraordinary life. Dreyer's God is not necessarily Christian, it is clearly a symbol of purity and consciousness free from prejudices, just as that of Johannes or as that of the eldest daughter of Mikkel and Inger, the only ones who know how to turn to God
L ' austerity of the setting, the indeterminacy of space and place gives the work a more solemn work being carried out to a very emotional final (almost unusual for Dreyer also used to a rigorous stroardinario feelings) in which the sacred and the material melt, where the ' divine love and the ground together. The miracle is not the resurrection but the possibility of finding oneself through the whiteness of the gestures, and above all live in peace with others. Life is precious but too fragile to be able to spend in the complex machinations of the human mind. The spirit as the heart are two things a lot easier than imagined and should be the basis for a peaceful life and capable of recognition by the beauty of things that have been donated.

Adult Reception Wording In Spanish

Escape From School (1996) Bunny Lake


A film by Todd Solondz . By Christina Brucato , Eric Mabius , Heather Matarazzo Title Welcome to the Dollhouse original. Drama, 87 min duration. - USA 1996.


The director Todd Solondz in the mid-1990 stands out strongly with this little jewel of meanness and acrimony. In almost fairy world (the original title "Welcome to Dollhouse makes a better idea) and the perfect small town America is perpetuated on the shoulders of a little Dawn Wiener system psychological torture that would frighten the most relentless serial killers. She is clumsy and ugly in constant competition with her younger sister (who has the vague and isolated murder fantasies), and graceful like a Barbie doll, i hate her classmates and is the subject of jokes and bullies beauty queens ; parents ignore it completely, but even worse in the few moments when they realize his presence got excited about her mistaking her rebellious attitude as whims and not as a desperate attempt to get noticed. Even the
Cottarelli for high school friend of his older brother will be able to give her some 'of support.
will find a bit 'of understanding only in the school bully, he also abused by a system that fails to understand, ignored by parents and overloaded with anger imposing form of sexual threats that Dawn does not really seem to despise so much, because if nothing else, at least there is someone who cares her.
A film that does not leave much to the imagination and is very direct in its cruelty. Several moments of violence (physical but mainly psychological) that are unleashed on Dawn and can not reject, a wall of incomprehension and indifference separating it from a world that she sees the other side of the fence and he can not touch. His fantasies of a typical 11 year old girl, breaking with the harsh reality which has never been prepared. A world of busy adults and children who grow up apart from their abbruttiti incattiviti and indifference and neglect. Solondz's criticism is clear and simple: Dawn is the element that undermines the fragile balance of the typical American family on vacation at the lake, cable TV, from wallpaper and peach-colored sedan in the garage, adorned only by unnecessary things materials with which it surrounds, but completely devoid of love and patience that makes a random pool of people with a real family.
no happy-end as it should be, Dawn left alone surrounded by indifference and the difficulty of having to grow up without a guide, and surrounded by androids that are all the same acting equally, only she will be in its diversity to be that dangerous mines that roams the small province of New Jersey, ready to explode.