Zulawski, for better or for worse, was and still is one of Europe's most important writers of the past 50 years. Polanski's school, different forms of cinema. Zulawski over time, has refined his distinctive traits of a director focusing on outward forms, colors, lights on, on the strength of his stories are often shocking. But what they sometimes lack a little 'to Zulawski, and here you see, is the ability to combine a perfect staging a strong story that he does not frame the painting, but who would otherwise be the framework stesso.La Notes Blue breath on the notes of a Chopin too caricaturist, and the film really takes off in the rare, precious moments of intimacy with Madame Sand. This means that with less desire to impress, with a realization may be less screaming and less noisy you could tell a love story. But in fact, often the needs and desires of the caregiver to work are disappointed, because there is a temptation to project what you imagine or what you would imagine in the movie (in history) that you are watching. So La Note Bleue, taken for what it really is, is a noble attempt to combine history and art, is a clever representation of French society than half 800, a bit 'ancestor of the Belle Epoque, straddling two eras (the modern and contemporary art), a bit 'colorful and a bit' hectic, a bit 'gay but also melancholy. Sophie Merceau shining, majestic, sensuous and beautiful. Janusz Olejniczak does its best to interpret the patient suffered and Chopin, but his acting is too cartoonish, too excited and play. In essence, a movie from the impressive visual impact that lingers a bit 'too were postponed indefinitely almost the highlight of the story, quad is the element that is less developed, the love between Chopin and Madame Sand to be the pillar and the true revelation of the film.
0 comments:
Post a Comment