Directed by Otto Preminger . With Carol Lynley , Keir Dullea , Laurence Olivier, Noel Coward Episode Bunny Lake is Missing. Yellow , b / w 107 min duration. - Great Britain 1965. A single mother goes to school to take her little daughter, but she has disappeared, indeed it seems that it never existed. With the help of her brother, she and a research unit Police cared not the case.
Ottto Preminger us abitutato the beautiful stories of suspense, since the beginning known for his ability to construct complex stories to the point of insanity but who remain remarkably laid in the normal limits of the classic story with a formal structure. Bunny Lake Is Missing play on all the characters and stories that are interwoven, and build a delicate and elegant combination of sensations and emotions that stun and never leave to see clearly whether or not the end, the end result. Thriller
shades a bit 'dark and grotesque, with people even in some ways a bit dingy and contours' disturbed, is a story of suspense with a high rate of drama. And 'a must and can be painful plunge into the family history of the Lake, and there is nothing that is left to chance, a complex family background that are right not to tell but only guess, and madness is palpable, the drama keeps the Ann breath and here lies the great genius of Preminger: make it possible that everyone feels part of history, has, in a sense. Register
there are no big news, the tone is always, unmistakable. Fine performances, with Olivier still in great shape and a duo of lead actors (Lynely-Dullea) who perform their work more than well aware of dignity the complexity of their characters.
far cry from the sophisticated old Hollywood thriller, the characters are morally inferior and history without the pomp and certainly the director of fatigue is felt. It is not his best work, but definitely the best among the last. His interest in the turbid, and above all for the death (mental and physical) are pervasive themes in his films and when they are accompanied by a good story and a good plot, the result can not be satisfactory.
shades a bit 'dark and grotesque, with people even in some ways a bit dingy and contours' disturbed, is a story of suspense with a high rate of drama. And 'a must and can be painful plunge into the family history of the Lake, and there is nothing that is left to chance, a complex family background that are right not to tell but only guess, and madness is palpable, the drama keeps the Ann breath and here lies the great genius of Preminger: make it possible that everyone feels part of history, has, in a sense. Register
there are no big news, the tone is always, unmistakable. Fine performances, with Olivier still in great shape and a duo of lead actors (Lynely-Dullea) who perform their work more than well aware of dignity the complexity of their characters.
far cry from the sophisticated old Hollywood thriller, the characters are morally inferior and history without the pomp and certainly the director of fatigue is felt. It is not his best work, but definitely the best among the last. His interest in the turbid, and above all for the death (mental and physical) are pervasive themes in his films and when they are accompanied by a good story and a good plot, the result can not be satisfactory.
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