A film Ascanio Celestini . With Ascanio Celestini , Giorgio Tirabassi , Maya Sansa , Luisa De Santis , Nicola Rigney , Barbara Valmorin , Luigi Fedele , Alessia Berardi, Alessandro Marverti , duration 93 min. - Italy 2010. - Bim output Friday 1 October 2010 . Nicola is a thirty-five who has lived all his life in mental hospitals as a child when she went to take the eggs with her grandmother, then grow up as a patient. His life is punctuated by shopping with a nun, from simple jobs to giardinaio. Until he meets Marinella, old school and his first love. From here things get complicated.
Ascanio Celestini, after years of theater will be challenged for the first time with a feature film (After two documentaries for Fandango) and tells one of the most difficult aspects of the human race: the disease mentale.Orientativamente set between the years 60 (the fabulous 60s) and the year 2000, The Black Sheep is a sleek, but illogical trip to the disease Nicola, thirty-five with a difficult childhood as picturesque populated by grotesque characters and situations. Nicholas is the crazy story that becomes, with her grandmother who sells eggs, they eat spiders and going to the grocery store, which has never been to war and loves Marinella. How much would a normal life like this without that annoying label of "crazy"? Celestine makes us understand changing crazy with the saint. The lunatics in the asylum that is actually "a building of saints. "
Who is Nicole? Celestini it offers adventure and painful portrait of a curious child and a man to look through the eyes of" saint. "And this look is devoid of any mention of critical Nicola is in fact only able to give an opinion on the situation and takes it to its right to exist and fighting in his little lonely battle after the world, the company have abbandonato.Celestini is very good in telling this: mad people, are almost always abandoned by everyone: society, state, family. Like the saints, like the martyrs, left to their fate of death (the first mental and physical). In the character of Nicholas is contained all the malaise solitiduine of all the sadness of feeling of abandonment on the weight, patients in the asylum take over the shape of animals and trinkets that no one is responsible. This is the ordeal that the "holy fools" have to endure day after day.
Celestini is good, builds a good story and is sensitive, never inappropriate. He gives us a movie with a heart full of love laughter at Charlie Chaplin, Basaglia stated in 1978 that is no longer required "constraint" of mental institutions and their replacement by mental, not realizing that the constriction of the specific situation is always . Celestine offers a way to make this sweet and melancholy constriction a little 'lighter and easier to accept. The law Basaglia would restore dignity to the condition of the mentally ill in Italy but we have to say that the actual closing of all mental hospitals has never really happened, and that especially the condition of the mentally ill is still socially accepted and even today, more than 30 years after the law was to rehabilitate the figure of the "Crazy" still has to deal with obstacles of all kinds, especially social. Nicola understand what obstacles must be overcome in order to live and to be able to reach the heart of Marinella (school friend, one love of his life), but how can you overcome an obstacle when you do not know the causes? Nicola consapovole of his illness? Maybe not completely, because he was born and grew up in a sick and this is the only language he knows and the only option that was feared. Then Nicola Ascanio Celestini becomes a symbol of failure due to the fact that not all are born mad crazy and that is why they deserve more care and attention, not only medical. With an ending that is a fist in the face, falls right in the message that it is necessary that instills a sense of ethical responsibility in dealing with those who enter the darkness of the mind. All are afraid in the dark after all, then why not give a hand?
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